Gone With the Wind
Margaret Mitchell’s Gone With the Wind, one of the best-selling novels of all time and the basis for a blockbuster 1939 movie, was published on June 30, 1936.
In 1926, Mitchell was forced to quit her job as a reporter at the Atlanta Journal to recover from a series of physical injuries. With too much time on her hands, Mitchell soon grew restless. Working on a Remington typewriter, a gift from her second husband, John R. Marsh, in their cramped one-bedroom apartment, Mitchell began telling the story of an Atlanta belle named Pansy O’Hara.
In tracing Pansy’s life from the antebellum South through the Civil War and into the Reconstruction era, Mitchell drew on the tales she had heard from her parents and other relatives, as well as from Confederate war veterans she had met as a young girl. The story presents a romanticized view of the Old South and does not engage with the horrors of slavery. While she was extremely secretive about her work, Mitchell eventually gave the manuscript to Harold Latham, an editor from New York’s MacMillan Publishing. Latham encouraged Mitchell to complete the novel, with one important change: the heroine’s name. Mitchell agreed to change it to Scarlett.
Published in 1936, Gone With the Wind caused a sensation in Atlanta and went on to sell millions of copies in the United States and throughout the world. The book drew criticism for its whitewashed depictions of slavery. Mitchell nonetheless won the Pulitzer Prize for Fiction in 1937, and by that time a movie project was already in the works. The film was produced by Hollywood giant David O. Selznick, who paid Mitchell a record-high $50,000 for the film rights to her book.
After testing hundreds of unknowns and big-name stars to play Scarlett, Selznick hired British actress Vivien Leigh days after filming began.
Though she didn’t take part in the film adaptation of her book, Mitchell did attend its premiere in December 1939 in Atlanta. She died just 10 years later, after she was struck by a speeding car while crossing Atlanta’s Peachtree Street. [1]
About that picture of Clark Gable reading Gone With the Wind….
Clark Gable never actually read Margaret Mitchell's 1000-page novel before starring in the 1939 film adaptation. Despite this, numerous iconic photographs circulated of the actor studying the book on set, a marketing tactic that became firmly cemented in Hollywood lore.
Gable considered the role only after his wife, Carol Lombard, bought him a copy of the book and attached a note encouraging him to take it. He accepted the Oscar nominated part but bypassed reading the tome itself.
Hollywood studios arranged for widely distributed photos showing Gable deeply engrossed in the novel. This gave audiences the comforting illusion that their beloved Rhett Butler was committed to the source material.
Instead of reading the original prose, Gable heavily relied on discussions with his co-star Vivien Leigh. The two actors frequently debated how Scarlett O'Hara and Rhett Butler depended on one another, using these discussions to shape their on-screen chemistry.
[1] www.history.com/this-day-in-history/june-30
